RUDIMENTS, pt. 357
(plato in Avenel, pt.2)
One thing I learned in
Philosophy class, oddly
enough, was that if you are
holding the bomb, you might
as well throw it. It's at that one
intersection of time and moment,
never to be recreated, that you
hold any real, personal power.
And it's one of the strangest
concepts ever. As if to say, a
lit fuse should never just be
appreciated by gazing; for it
will go off. Some things possess
their own meanings and powers.
That's how wild revolutionaries
throughout time - right to the
present - have always done
things. Yes, we still get startled,
or feign being startled anyway.
I've held so many metaphorical
'bombs' in my life as to make it
legion - everything I've thrown
thrown has been right and pointed.
But all metaphorical - for I cannot
be bothered with the physics of
animation.
-
And anyway, what is life, really,
but a fine-point conjunction of
various 'caught' moments? I once
wrote a paper detailing how, in
my view, we all and each live
deeply within 'structures.' Bad
choice of words, but I used it
for utility because otherwise
having to explain 'formulated
sectors of time/space assumptions
about what's around us,' would
have gotten too tedious and glazed
over the entire point. I hate stuff
like that. The 'structures' I meant
were the super-functional outlines
of all things by which we operate.
Everything that we do comes out
of our own structure. Every word,
space, detail, and premise. In
looking things over, I've concluded
that we ought to be ruled by elites,
intellectual elites, without excuse,
and proud of themselves. Not
by the raft of pig-herders we're
led by now. Even here in
Woodbridge, as fine an example
of squandered power as any,
we have, at the top, (and believe
me, it's far from being a 'top') a
complete 'entitled' class of
know-nothings who revere
nothing but money and process.
That's pretty hideous, and the
lunkheads who put them in
office, time after time, are
just as stupid. There's no
intellectual quality here to
anything, and that's what's
so clearly missing. I don't
mean in an 'Arthur Schlesinger'
sense, like from the Kennedy
days either. Those weren't
intellectuals; they were
sycophant academicians.
They flavored society in
style and form, slavishly
following the dictates
of their own fey crowd. Like
the Wilkinson debacle we have
here now. Troglodyte gay
people distressing the fabric
of 'culture.' Ladies and gentleman,
as the curtain rises, I present
to you, the latest show in town :
'The Foibles and the Treachery -
8th-grade John McCormac,
in Power!' Key in the theme
song - stage front, dancing boys
in tights : 'Bring on the Big
Cannons! We're Soooo
Ready For You!'
-
Does anyone see where this
gets us? Gets us to? Brings us?
Plato was a revolutionary, and
that was in a time before they
even knew about that stuff. But
at least they'acted' on things.
We don't even do that now.
Plato was a revolutionary, and
that was in a time before they
even knew about that stuff. But
at least they'acted' on things.
We don't even do that now.
'Plato somewhere compares
philosophy to a raft on which
a shipwrecked sailor may
perhaps ride home. Never
was a simile more apt.
Every man has his raft (and
for God's sake you'd (I'd)
better stand up for it and
honor each our own),
which is generally only
large enough for one. It
is made up of things
snatched from his cabin -
a life-preserver or two of
psalm, proverb, or fable;
some planks held together
by the oddest rope-ends
of experience, and the
whole shaky craft requires
constant attention. How
absurd, then, is it to think
that any formal philosophy
is possible - when the rag or
old curtain that serves one
man for a waistcoat is the
next man's prayer-mat! To try
to make a raft for one's neighbor,
or to try to get on to someone
else's raft, these seem to be the
besetting sins of philosophy and
religion...Plato was primarily
an entertainer, a great impresario
and setter of scenes, and stager
of romances great and small
where fact and fiction, religion
and fancy, custom and myth
are blended by imaginative
treatment into - no one knows
exactly what the mixture should
be called. As a work of art, 'The
Republic' is atrocious, but as
a garretful of antiquity it is
thrilling. It is so cracked and
rambling that Plato himself
hardly knows what's in it.'
-
So, let's view this evidence (in
light of me, here, on the rocky
dead island Avenel). What in the
world was Plato up to? About
him? Yeah, I always felt about
myself. (Pride goeth before the
mall?). His own poetic gift, his
moral enthusiasm - they left out
'inextinguishable' moral enthusiasm,
enormous curiosity, his miscellaneous
information, his pride of intellect,
and - his greatest merit - his
perception that spiritual truth
must be conveyed indirectly and
by allusions. 'In spite of certain
clumsy dogmatisms to be found
here and there in him, Plato knows
that the assault upon Truth cannot
be carried by a frontal attack. It is
the skirmishing of Plato which makes
his thought carry; and all the labors
of his expounders to reduce his
ideas to a plain statement have
failed. If they Could reduce his
meaning to a statement, Plato
would be dead.' You see, that's
the key : To keep that (those)
bomb(s) from settling - continue
to throw them; let no other 'explain'
you, keep others at bay, keep them
off-step, by attack; confound; annoy.
Have wit enough, visions enough,
and courage enough, to elude them
all. THEY are dead. Their thoughts
and conclusions are bankrupt.
-
His age - the times he lived in -
handed him his vehicle : Imaginary
Conversation! Is there anything
that evaporates quicker in this
world than conversation? But
'IMAGINARY' conversation is
protected from cross-examination,
it can live on forever. No one can
pin him down. The street is his
corner. Dilaogues and discourse.
Any 'Order' - imposed from the
Any 'Order' - imposed from the
top down - never holds for very
long. And, lastly here, in conclusion.
that's what bugs me the most about
Avenel : Me. Right here, in the
midst of so much, yet powerless,
voiceless, and without a recourse.
The fools have me here, and refuse
me. Oh Athens, where is thy sting?
The fools have me here, and refuse
me. Oh Athens, where is thy sting?
A voice, crying in this wilderness.
(OK. Time for Revolution School).
Forget Murray and Martha's, we'll
have it at the old Shop Right. Or
maybe even open-air at the new
public seating area at 'Station
Village' while we sit on their
benches just waiting for trains
that mostly never come. Or maybe
right there, on 'Jazz Night,' while
all the fake hipsters in their baggy
pants and lawn chairs are over
in Eric LeGrand Park groovin' to
Dexter Gordon. Good a place
as any to mass for Plato power.
Smile for the cameras, kiddies.
We can explore the forbidden sign.
right there, on 'Jazz Night,' while
all the fake hipsters in their baggy
pants and lawn chairs are over
in Eric LeGrand Park groovin' to
Dexter Gordon. Good a place
as any to mass for Plato power.
Smile for the cameras, kiddies.
We can explore the forbidden sign.
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