Skip to main content

RUDIMENTS 821.

RUDIMENTS, pt. 821
(I'm ok now; it's all over)
My setting always seemed 
to be at 'Catch-all' and that's 
the way it went   -  I roved 
and picked everywhere. In
the time I spent growing,
it was often a pointed 
decision for me to strictly
stay on course. The last 
thing I ever needed was 
a 'country,' and I'd not 
select this one  -  if I had
to opt for a place. In any 
case I chose my battles 
and struck back as needed.
One thing I found out was
that you can't 'sift' for
truth; it either is or isn't,
and, if it is, then it's so
apparent that no searching
is in order, or needed. At
about this time, up at
Broadway and 19th or 
18th street, the very first
concept/working version of
a Barnes & Noble 'Superstore'
was in place. I didn't exactly
know it at the time  -  to me
it was just a cool deal; a new
idea. A monstrous, organized,
well-priced, and bargain-racked,
store with multiple cash-registers,
record albums, and tons of
books. It was a sort of Heaven.
Putting aside all the corporate
babble that came later, (over
750 stores), the idea in its
raw form was to be, at base,
a walk-through, informal
format, open-space, wide
warehousing of books, and
arranged by categories too.
That was a new idea for me.
I'd gotten used to the hit
and miss format of book
buying  -  in those 4th Ave.,
Book Row places that lent
themselves to nothing as much
as solitary stealth in the pick
through piles and piles of 'old'
style books. There wasn't
that much help given. This
store introduced the idea
of categories  - which to me
was a new and infinitely
interesting view  -  Philosophy,
and its sub-categories; The
idea of criticism, as in 'literary'
criticism, ('LitCrit), to which
I'd always beforehand referred 
to as 'Books About Books'
was there in big numbers -
all those studies of author and
titles, the amassed work of the
varied writers and critics sort
of deconstructing each other,
tearing asunder arguments
and concepts. The books 
themselves all seemed fresh
and modern, some even
colorful...unlike the Biblo &
Tannen representative book
dens that otherwise lined the
lower areas by Fourth Ave.
and Bowery. It was an 
eventful moment.
-
Later on, right across the
street, on Broadway, they
opened a textbook outlet,
which was even greater  - 
a person could specifically 
course himself through the
working title-lists for any
course  -  which of course,
(Jeez, all these accidental 
puns), meant free rein to
go at it. I had little interest in
80 per cent of the categories
I'd see  -  math and sciences,
outside of Lewis Thomas
anyway  -  but was able to
stay with all else that I
wanted. I drowned myself
in Moby Dick's bath-water,
as it were; rehab with Ahab!
(I called anything that drained
Avenel out of me rehab).
-
Knocking my head against walls
was not something I cared to
do. I was determined to make
all that the past for me. Inside
the Studio School, it was
pretty apparent to me that
others were better educated,
already, than I'd ever been;
they were more worldly, and
had so much less of the poor
and half-baked, 'sentimental'
religious aspect which my own
upbringing had been battering
me with for years; in and out
of seminary school. All those
exposures, in fact, had made me
quite 'medieval' by contrast to
their far bolder secularism. What
a dumb spot to be in. A light
went on in my head that then
immediately led me to one of
the stronger convictions I'd
ever had  -  that millions of
lives are wasted by subservience.
Subservience was the primary
gauge of success for Authority
to use in order to show results.
They wanted you to be a 
medieval drone, tripping and 
bowing, doing nothing on 
your own but looking for new
orders and systems to follow!
For them, that's an answered 
prayer! Back at home, as a
kid, all that going to church
folderol, catechism, communion, 
confirmation, rites and recitations
and rituals, Father this and
Monsignor that, it was all on 
the order of those old vassal
states and church fortress 
villages once dotting their 
'Europe,' building nation-states;
holding everyone in place so 
that the newly-allied combo
power of 'Church' and 'State'
could establish its steamroller
over people  -  Holy Roman
Empire, Papal Viceroys, and
the requisite oppression and
'martyrdom' by the usual ruling
class could smite the peon into
that needed subservience.
Divine Rite of Kings? Or
Divine Right of Kings. Mix
it up with hidden church riches
and the gobbledy-gook of
other rituals and languages,
and before you know it you've
got yourself a country. And,
as I said in the opening, I
wanted no country.
-
All those dark, dour and
stretched old men  -  estranged,
solitary, serious, creased  -  poring
and craning over old books along
Book Row : With their canes and
magnifying glasses and bag lunches
and slow steps, often were in
their old suits and clothes from
what seemed like 20 years back;
in turn it being an older and
more serious time. Life like
that was odd, as if it were a 
long rubber-band stretching 
and closing, drawing things 
back and forth with it. These
men were one step away
from the same sorts of men 
along  the Bowery, a mere 10 
blocks down the way  -  those
who had fallen, tumbled, failed. 
The rubber band had let them 
go, and booze took over from
books. in fact, it seemed to 
me, that if you lifted the island
itself up, on edge, these book
men who slowly start their
slide down, easily merging
into those booze-men all
staggering along the old
Bowery hotel-streets
-
As it then turned out, in the
varied places I ended up after
those days, I eventually became
my own producer, editor, writer,
composer, and study-hall guide,
pretty much just as I'd envisioned
it. I never needed any hangers-on
and I guess I never sought the
applause or I would have gone 
after it. A part of me deep inside
wishes I had, but I always kept
this dumb notion that as long as
I was working steadily to amass 
the work, at some point someone
would find me. Well, that never
happened, but I've always
remained a 'free man in Paris,'
and I always wanted to be ready
if lighting struck. But I guess
my rod was always too good
and the current was carried
off. Least I know, it never
hit me. But I'm OK now too;
it's all over.


Comments

Popular posts from this blog

RUDIMENTS 997.

RUDIMENTS, pt. 997 (at the bongo club) I never had much direction, or what direction I had I gave to myself, be it good or bad. On looking back now (seems that's all I do these days) I sense that I was easily swayed and was often quite zig-zag in my ways. (I don't mean zig-zag in the sense of the Zig Zag rolling papers guy, which papers were used for rolling joints, and which name I was often told by a guy I worked for once, that I resembled. Well, the person of that name anyway, shown on the packaging). Fact is, I never smoked much pot. Maybe three or four times. It never interested me, whereas this guy who said it smoked pot like other people ate chocolate. I was around lots of that stuff, and more (pot, not chocolate). First off, pot was for babies. Beginner's stuff. The kind of people I knew then who were potheads were all in a sort of stalled, infantile regression, and their pot-smoking only dragged them deeper into place - they neve...

RUDIMENTS 329.

RUDIMENTS, pt. 329 Making Cars When you get out of Nancy Whiskey Pub and roll yourself down to Puffy's, that's a whole other story. Or was then; it's been a while now since I've been there. Puffy's used to have, displayed in its front window, an old photograph, maybe 16x20 inches, framed, and that photo showed old Hudson Street, maybe about 1935, when it was a working-class street, lined with small shops, lofts, and factories. All for the kind of guys who used to work there, and drink at Puffy's. Across the street was the Western Union Building made famous by the writings of Henry Miller, and, nearby, a Bell Tel place and, across from Puffy's at the corner exactly, the grand, old, 1880's building that was once the headquarters of the New York Mercantile Exchange. (In the 1920's and before, someone in my wife's family line was the President of that Exchange, go to find out). That building was ...

1130.

RUDIMENTS, pt. 1,030 (otis redding?) I used to sit in John's house and look at things around me  - it was possible there to think of it still being, say, 1924. Mary and he kept a severe and steady, old-format, household. I'd sit there and think to myself that this was 'quality,' the way it maybe used to be. There seemed to be, kept by John and Mary, a transcendance to things, some quality that was above everything and realized the old days  -  before plastics and gilt had a claim to the storyboard of everyone's life. Of course, it wasn't conscious, they didn't have an awareness of it; for that was their characters and it was ingrained. The lens they looked through to see and partake life was of it, and they realized not. It only stood out so grandly to others, like myself, and was remarked upon often; like visiting an old catacomb in an ancient village. Something like that affects everything else aroun...